How To Write Better: Borrowing From Chemistry

How To Write Better: Borrowing From Chemistry by @DFriedmanAuthor #write #writer #chemistry

Better Writing Through Chemistry  In 1935, Dupont promised they’d bring us better living through chemistry. Today, the phrase is used ironically for movie and album titles and most especially to describe recreational drug use. Acknowledging that chemistry has improved our lives is bromidic. Less well known is that the chemical lexicon, demonstrably miscible with our…

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Dawg blawg

Although I had tried to make The Writer’s Brush: Paintings, Drawings, and Sculpture by Writers as comprehensive as possible, as I acknowledged in the preface, I knew that with new writer-artists appearing every day that it would be out of date as soon as it was published.  Omissions were partially rectified with two large exhibitions…

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Writer-Artists

We’ve all had those head-thumping moments—coming up with the crushing argument when our adversary is long gone, remembering the ingredient left out of the casserole, the part that should have been done or installed before the part just finished with.  Many such omissions are fixable, even if at some cost or inconvenience.  But imagine writing…

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Roberta Allen: “Language is the bridge…”

“Language is the bridge…” Roberta Allen began making and exhibiting her conceptual art more than a half century ago, before she came to author eight books and more than 200 works of short fiction. Indeed, as she explains in this 2021 interview, her earliest writing was about her art. Allen had her first solo exhibition…

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The Two Sides of Peter Selgin

A two-fisted writer-artist, Peter Selgin, award-winning novelist, essayist, memoirist, and short story writer, earned his living as a freelance artist for thirty-six years, before deciding to abandon the visual arts for the literary in 2009. By 2014, well into his writing career and established as a professor of creative writing he realized he could not separate the writer from the artist. That they needed each other.

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ENJOY THE LATEST ISSUE OF INTERFACES

interfaces

Voilá, the latest issue of INTERFACES, internationally renowned journal of text and image. This issue focuses on format. By that is meant the vehicle selected by a creator — a writing or a painting, for example — to express her ideas.   Included is my extended essay and on-camera interview with Fernando del Paso, among the greatest Spanish language novelists of the last 100 years, who began drawing to kill time between news reports while working at the BBC and before he knew it was being exhibited alongside leading figures in the art world.  Also included is my review of “The Lehman Trilogy,” which utilizes a stripped-down set and localizes and identifies characters through language, and telescopes more than a century into a few hours. Click on the link and enjoy!

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Fernando del Paso: “I dream that I paint, and I paint the dream.”

With the 2015 award of the Cervantes Prize, Fernando del Paso’s place among the greatest of Spanish literary figures was cemented.  Acclaimed as both novelist and essayist, the Surrealist-influenced del Paso was also an internationally exhibited artist whose work, both in ink and paint, offers precisely rendered, dream-like images that juxtapose and merge the real and the fantastic.  

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THE LEHMAN TRILOGY: IS THERE A POINT?

I repeatedly tried and failed to get a ticket to The Lehman Trilogy when it was mounted at New York’s Armory and, despairing, would have settled for a streamed version, but couldn’t match the odd venues and times with my own. So I jumped at tickets on its return to Broadway, even before Covid was…

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Enjoy the latest issue of INTERFACES

interfaces

FacebookTwitterShare Voilá, the latest issue of INTERFACES, internationally renowned journal of text and image. This issue focuses on format and the myriad ways writers, artists, sculptors, and photographers play with format to achieve their effects.  Included is my extended essay and on-camera interview with Peter Sacks who began making the tiniest of images rendered with a…

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Roberta Allen: Art and Language as One

“Drawing saved me from the insanity of my family.”

Allen’s art has been exhibited globally, and her more than 200 stories have been anthologized and published in collections as well as literary journals.  She is a conceptual artist: the connection between writing and art is vivid in her work—text and image are one as you can see in this recent piece shown beside.

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Frederic Tuten Fulfills a Youthful Fantasy

  “George Moore said, ‘School … killed the life of love and art.’ I would not let it kill me.” As a young teenager, distinguished novelist and short story writer Frederic Tuten dreamed of being a painter and living in Paris. Inspired by such books as George Moore’s memoir, Confessions of a Young Man, and…

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How Peter Sacks Joined the Greats

  “Paint seems more embedded in the cosmos than language.” The Poet Picked Up a Paintbrush You are about to witness a historic moment. A little more than twenty years ago, Peter Sacks, a successful poet and Harvard professor, decided to pick up a paintbrush for the first time. Today, hailed internationally, his work is…

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Evan Hunter/Ed McBain, “there is no frame in writing.”

Evan Hunter

Among the very rare group of writers whose books have sold over 100 million copies, the inventor of the police procedural with his dozens of 87th Precinct novels, the author of The Blackboard Jungle, and the screenplay for Alfred Hitchcock’s “The Birds,” Evan Hunter as the boy Salvatore Lombino was art editor of his school…

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